Ritorno a Semino, con qualche divagazione

digital

Articolo

rivista	ARTE LOMBARDA
fascicolo	ARTE LOMBARDA - 2021 - 1-2
titolo	Ritorno a Semino, con qualche divagazione A Return to Semino, with some digressions
Autore	Stefano Bruzzese
Editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	12-2021
doi	10.26350/666112_000083
issn	0004-3443 (stampa) \| 2785-1117 (digitale)

€ 6,00

Ebook in formato Pdf leggibile su questi device:

Computer
con Software:
- Adobe PDF Reader
Android
iPhone/Ipad
con App:
- Adobe PDF Reader
E-Book Reader
Ibs Tolino
Kobo

Descrizione
The article starts with the attribution to Ottavio Semino of a painting preserved in the church of San Martino at Greco, in the north-eastern suburbs of Milan. the ne w acquisition of the Ligurian painter ’s catalog offers an opportunity to reconsider the most important works he undertook during his long stay in Lombardy, since the decorations of Palazzo Marino, a crucial junction f or Milan in mid-16th century on which an adequate study is still lacking. In the same church of San Martino at Greco there is also a painting probably by a f ollower of bernardino Campi from the master’s models. Hence a reflection, starting from the known testimonies, on the practice of reusing bernardino’s drawings in his workshop, one of the most active and important in the Milan area in the late 16th century. the ‘digressions’ of the title include two little or no-known paintings by Gerolamo Ciocca, a prolific pupil of Giovanni Paolo Lomazzo whose catalog is being reconstructed. keywords Ottavio Semino; bernardino Campi; Gerolamo Ciocca; Milan, church of San Martino at Greco; Milan, Palazzo Marino. Biografia dell'autore Università Cattolica del Sacro Cuore; stefano.bruzzese@unicatt.it

Descrizione

The article starts with the attribution to Ottavio Semino of a painting preserved in the church of San Martino at Greco, in the north-eastern suburbs of Milan. the ne w acquisition of the Ligurian painter ’s catalog offers an opportunity to reconsider the most important works he undertook during his long stay in Lombardy, since the decorations of Palazzo Marino, a crucial junction f or Milan in mid-16th century on which an adequate study is still lacking. In the same church of San Martino at Greco there is also a painting probably by a f ollower of bernardino Campi from the master’s models. Hence a reflection, starting from the known testimonies, on the practice of reusing bernardino’s drawings in his workshop, one of the most active and important in the Milan area in the late 16th century. the ‘digressions’ of the title include two little or no-known paintings by Gerolamo Ciocca, a prolific pupil of Giovanni Paolo Lomazzo whose catalog is being reconstructed.