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Vita e Pensiero

Un nuovo Tanzio abruzzese digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
The essay presents a newly discovered painting by Tanzio da Varallo, similar in style and iconic setting to the altarpiece with the Madonna of Constantinople in the Basilica of Santa Maria Maggiore in Pescocostanzo and still in the same diocese...
Scarica
‘Raccomandazioni’ di Vitaliano VI Borromeo per alcuni artisti. Note d’archivio su Cignaroli, De Groot, Garzia, Lanzani, Saglier, Tempesta, Vismara, Volò digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
Vitaliano VI borromeo, famous politician and patron, owes his fame, above all, to the realization of Isola bella. the article publishes some letters of recommendation, transcribed in the Appendix, which Vitaliano wrote in favor of numerous artists. Some of them were so allowed to enter in aristocratic and artistic environments in bologna, rome, Venice, and Genoa studying with renowned masters and learning more about the local works...
€ 6,00
ARTE LOMBARDA - 2019 - 2-3 digital
formato: Fascicolo digitale
Anno: 2019
Ultimo fascicolo doppio del 2019
Alcune osservazioni intorno a San Giovanni in Conca a Milano fra XIII e XIV secolo digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
A new analysis of the urban area marked by the symbolic buildings of the Visconti power, in the occasion of the Mobartech project, made it necessary to resume the study of the disappeared church of San Giovanni in Conca in Milan...
€ 6,00
La decorazione in stucco della magna sala di Giovanni Visconti nel Palazzo Arcivescovile di Milano. Ritrovamenti e proposte digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
In 2016, during the last restoration campaign of the fourteenth-century frescoes of the Archbishop’s Palace in Milan, two original beams of the ceilingc were found. these belonged to the Magna Sala built by Giovanni Visconti in the first half of the century. At the beginning of the 20th century toesca, Carotti and Moretti had studied some surviving decorations in the attics, probably found during the renovation of the building carried out in the late 19th century by the architect Cesare Nava...
€ 6,00
Tracce di facciate dipinte nella Milano medievale: tra il Palazzo Arcivescovile e la Corte dell’Arengo digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
The article proposes a study on the pictorial decorations on the exteriors of the architectures in the medieval period, which focuses on the small urban portion of Milan on which the Archbishop’s Palace and Royal Palace (the ancient Corte dell’Arengo) insist. The two main buildings are the subject of a physical and documentary reconnaissance aimed at recovering and understanding their 14th century appearance, ascribable, on a case-by-case basis, to choices made by Giovanni, Azzone and Gian Galeazzo Visconti...
€ 6,00
Materiali per il catalogo di un patrimonio perduto: le facciate dipinte nella Milano del primo Rinascimento digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
This essay provides an overview of painted façades in Renaissance Milan, a preliminary step towards the creation of their catalogue. In addition to discussing previously known documents concerning the practice of painted palaces’ fronts, important new sources and unpublished drawings by nineteenth-century architect Tito Vespasiano Paravicini documenting the existence of other buildings are introduced...
€ 6,00
Un cantiere per un capitolo canonicale di prestigio: Santa Maria Maggiore di Vercelli nel XII secolo digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
The church of Santa Maria Maggiore in Vercelli was one of the most important 12th century buildings in northern Italy. It was consecrated in 1148 by Pope Eugene III and was demolished between 1776 and 1777. However, shortly before the destruction of the church, Nicola Nervi made some architectural drawing, copied by Edoardo Arborio Mella in the 19th century. therefore it is possible to investigate the demolished building in a fairly thorough way...
€ 6,00
Da un arbusto all’Albero della vita: l’iconografia del Quarto apologo della Storia di Barlaam e Ioasaf nell’arte monumentale del medioevo italiano digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
The research consists in an up-to-dated study on the iconography of the Fourth Apologue from Legend of Barlaam and Ioasaf (a christianized version of buddha’s life), known as The Apologue of the Man and the Unicorn, which developed inside the monumental art during the italian Middle Ages between the end of the 12th century and the second half of the 14th century...
€ 6,00
The Talking Windows: Inscriptions and Architecture on the Façade of Palazzo Porcellaga in Brescia digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
During the 15th and 16th century the Porcellaga acquired great importance in the civic, religious and military life of brescia and, as most of the aristocratic families, they imposed their image on the urban scene by building a palace...
€ 6,00
Per la storia del Palazzo Ducale di Mantova. Architetti e il Tintoretto in Corte Nuova digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
The essay deals with some related topics in the history of the architectural complex that constitutes the Ducal Palace of Mantua. In the mid-16th century Giovan Battista Bertani, “prefetto delle fabbriche”, started for Guglielmo Gonzaga, on pre-existences, the arrangement of the Corte Nuova Apartment, contiguous to that of Troy built by Giulio Romano in the thirties of the 16th century...
€ 6,00
Carlo Borromeo, Pellegrino Tibaldi e la costruzione del coro dei canonici nel Duomo di Milano digital
formato: Articolo | ARTE LOMBARDA - 2019 - 2-3
Anno: 2019
This paper retraces the presbyterial transformations of Milan Cathedral during Carlo Borromeo’s episcopate (1564-1584), suggesting new observations on their conception. Following copious documentation (mainly in the archive of Veneranda Fabbrica), the author then traces the building history of the wooden choir, which hosts a vast cycle of carved scenes of the patron Ambrose’s life as well as figures of saint bishops, martyrs and relics, most of which were drawn by Pellegrino Tibaldi...
€ 6,00

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