Committenza artistica in complessi civili del territorio mantovano nel XIV secolo: i casi di Castel d’Ario e Villimpenta

novitàdigital Committenza artistica in complessi civili del territorio mantovano
nel XIV secolo: i casi di Castel d’Ario e Villimpenta

Articolo

rivista	ARTE LOMBARDA
fascicolo	ARTE LOMBARDA - 2021 - 1-2
titolo	Committenza artistica in complessi civili del territorio mantovano nel XIV secolo: i casi di Castel d’Ario e Villimpenta Artistic patronage in civil late Medieval architectures in Mantua territory: Castel d’Ario and Villimpenta
Autori	Simone Sestito, Debora Trevisan
Editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	12-2021
doi	10.26350/666112_000076
issn	0004-3443 (stampa) \| 2785-1117 (digitale)

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Descrizione
Thanks to the linking that connect art patronage and political communication in building and decorating of the civil late Medieval architectures, aim of this paper is the understanding of 14th century painting in Mantua territory in its specific historical and geographical context, with particular regard to decorative cycles located in fortified complexes. the relationship is faced through considering two contexts that emerge both because of their artistic value and their monumental relevance: Castel d’Ario and Villimpenta castles. In this framework provided by the historiographical and archaeological topic named secondo incastellamento, the analysis offers the chance to deepen the role of architectures in the socio-political communication and self-representation by the secular élites in the 14th century Mantua territory. the two case studies also offer the opportunity to build a dialogue between the disciplines of the Medieval art history and Medieval archaeology in the field of historical architectures analysis, building a bridge between different perspectives by means of the same interpretive key. keywords Mantua, 14th century painting; Castel d’Ario; Villimpenta; incastellamento; Medieval archaeology; Civil architecture. Biografia degli autori Simone Sestito: Soprintendenza Archeologia, belle Arti e Paesaggio per le province di Cremona, Lodi e Mantova; simone.sestito@beniculturali.it Debora Trevisan: Soprintendenza Archeologia, belle Arti e Paesaggio per le province di Cremona, Lodi e Mantova; debora.trevisan@beniculturali.it

Descrizione

Thanks to the linking that connect art patronage and political communication in building and decorating of the civil late Medieval architectures, aim of this paper is the understanding of 14th century painting in Mantua territory in its specific historical and geographical context, with particular regard to decorative cycles located in fortified complexes. the relationship is faced through considering two contexts that emerge both because of their artistic value and their monumental relevance: Castel d’Ario and Villimpenta castles. In this framework provided by the historiographical and archaeological topic named secondo incastellamento, the analysis offers the chance to deepen the role of architectures in the socio-political communication and self-representation by the secular élites in the 14th century Mantua territory. the two case studies also offer the opportunity to build a dialogue between the disciplines of the Medieval art history and Medieval archaeology in the field of historical architectures analysis, building a bridge between different perspectives by means of the same interpretive key.

keywords

Mantua, 14th century painting; Castel d’Ario; Villimpenta; incastellamento; Medieval archaeology; Civil architecture.

Biografia degli autori

Simone Sestito: Soprintendenza Archeologia, belle Arti e Paesaggio per le province di Cremona, Lodi e Mantova; simone.sestito@beniculturali.it
Debora Trevisan: Soprintendenza Archeologia, belle Arti e Paesaggio per le province di Cremona, Lodi e Mantova; debora.trevisan@beniculturali.it