L’ambone in Italia nord-occidentale tra alto Medioevo e romanico: un’ipotesi di catalogo

digital

Articolo

rivista	ARTE LOMBARDA
fascicolo	ARTE LOMBARDA - 2021 - 1-2
titolo	L’ambone in Italia nord-occidentale tra alto Medioevo e romanico: un’ipotesi di catalogo The ambos of North-Western Italy from 7th to 12th century: catalogue hypothesis
Autore	Silvia Muzzin
Editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	12-2021
doi	10.26350/666112_000075
issn	0004-3443 (stampa) \| 2785-1117 (digitale)

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Descrizione
This study proposes a first hypothesis of ambos catalogue, often fragmented or recomposed, made between the seventh and twelfth centuries in North-Western Italy, more or less well known, but never presented as a whole and compared with each other. It is an useful repertoire for future critical studies that take in consideration only one of them or that want to highlight the peculiarities of this liturgical artefact in comparison with those of other areas, for which a repertoire sometimes exists. the artifacts are presented in chronological succession, based on the updated critical debate concerning them, and are accompanied by technical and iconographic data. At the end of the two main sections of the essay, the one relating to the early medieval ambos and the one relating to the romanesque ambos, these are compared to evaluate recurrences, differences and transformations of form, material, origin, location and iconography. beside the most famous testimonies of this liturgical furniture, such as the triangular slab with peacock of San Salvatore in brescia or the ambo of Sant’Ambrogio in Milan, there are others less known, such as the convex slab of San Pancrazio in Montichiari or the masonry ambo of San Vincenzo in Galliano. keywords Ambo; Liturgical furniture, North-Western Italy; early Middle Ages; romanesque; Medieval sculpture. Biografia dell'autore Università del Piemonte orientale; silvia.muzzin@uniupo.it

Descrizione

This study proposes a first hypothesis of ambos catalogue, often fragmented or recomposed, made between the seventh and twelfth centuries in North-Western Italy, more or less well known, but never presented as a whole and compared with each other. It is an useful repertoire for future critical studies that take in consideration only one of them or that want to highlight the peculiarities of this liturgical artefact in comparison with those of other areas, for which a repertoire sometimes exists. the artifacts are presented in chronological succession, based on the updated critical debate concerning them, and are accompanied by technical and iconographic data. At the end of the two main sections of the essay, the one relating to the early medieval ambos and the one relating to the romanesque ambos, these are compared to evaluate recurrences, differences and transformations of form, material, origin, location and iconography. beside the most famous testimonies of this liturgical furniture, such as the triangular slab with peacock of San Salvatore in brescia or the ambo of Sant’Ambrogio in Milan, there are others less known, such as the convex slab of San Pancrazio in Montichiari or the masonry ambo of San Vincenzo in Galliano.