Il collezionismo degli Abbiate Forieri tra Sei e Settecento a Milano. Dalla raccolta di Matteo alla Galeria di Giovanni

novitàdigital Il collezionismo degli Abbiate Forieri tra Sei e Settecento a Milano. Dalla raccolta di Matteo alla Galeria di Giovanni

Articolo

rivista	ARTE LOMBARDA
fascicolo	ARTE LOMBARDA - 2021 - 1-2
titolo	Il collezionismo degli Abbiate Forieri tra Sei e Settecento a Milano. Dalla raccolta di Matteo alla Galeria di Giovanni The collecting of Abbiate Forieri family between the 17th and 18th centuries in Milan. From the Matteo’s collection to the Galeria by Giovanni
Autori	Marina Dell'Omo, Filippo Maria Ferro, Sergio Monferrini
Editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	12-2021
doi	10.26350/666112_000082
issn	0004-3443 (stampa) \| 2785-1117 (digitale)

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Descrizione
The discovery of the inventory of Matteo Forieri’s legacy suggested an in-depth study of the family’s collecting passions: paintings (in particular by Filippo Abbiati) and, in the case of Matteo’s son Giovanni, also coins, cameos and drawings. The authors has been transcribed and commented a Giovanni’s manuscript (Milan, Biblioteca Ambrosiana) text on an imaginary gallery, which includes paintings and presumably drawings depicting subjects of ancient and Biblical history, according to a chronological narrative path. The iconographic choices derive from an erudite culture, not unusual for the times, but expressed in completely original ways. keywords Milan, 17th-18th centuries collections; History painting; Abbiate Forieri family; Filippo Abbiati. Biografia degli autori MARINA DELL’OMO: dellomo.marina@gmail.com FILIPPO MARIA FERRO: Istituto Lombardo Accademia di Scienze e Lettere; ferro@unich.it

Descrizione

The discovery of the inventory of Matteo Forieri’s legacy suggested an in-depth study of the family’s collecting passions: paintings (in particular by Filippo Abbiati) and, in the case of Matteo’s son Giovanni, also coins, cameos and drawings. The authors has been transcribed and commented a Giovanni’s manuscript (Milan, Biblioteca Ambrosiana) text on an imaginary gallery, which includes paintings and presumably drawings depicting subjects of ancient and Biblical history, according to a chronological narrative path. The iconographic choices derive from an erudite culture, not unusual for the times, but expressed in completely original ways.