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L’architettura del Rinascimento lombardo nella pittura fiamminga del Cinquecento

digital L’architettura del Rinascimento lombardo nella pittura fiamminga
del Cinquecento
Articolo
rivista ARTE LOMBARDA
fascicolo ARTE LOMBARDA - 2016 - 1-2
titolo L’architettura del Rinascimento lombardo nella pittura fiamminga del Cinquecento
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 11-2016
issn 0004-3443 (stampa)
€ 6,00

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At the beginning of the sixteenth century, when the Low Countries open up to the Italian Renaissance culture, it is the artistic language of the Lombardy that they adopt in first, especially regarding the architecture. Thanks to the French that bring over of the alpine borders the picturesque Lombard style of the fifteenth century discovered during the Italian wars, the monuments of Flanders gradually dressed their gothic structure by ancient ornaments arranged according to the codes of the Northern Italians. Also in the Flemish paintings, where the first manifestations of Renaissance architecture in the Low Countries can be observed, the architectural backgrounds reveal a Lombard influence: candelabra, medallions with ancient busts, fanciful capitals and balusters are developing everywhere in a typically Lombard abundance. Beyond these ornaments relatively diffused, other rarer architectural formulas, because typical of the Milanese activity of Bramante, can be also seen in the Jan Gossart’s paintings, a Flemish artist who was present at the Julius II’s courtyard in Rome in 1509, but never mentioned in Milan. Through the study of some chosen paintings, we will measure the influence of Bramante’s milanese works in the conception of Gossart’s painted architectural backgrounds before to determine from where the Flemish detained this unexpected knowledge.

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