La ‘Folgore’ di gesso: i calchi del monumento di Gaston de Foix al Victoria and Albert Museum di Londra

novitàdigital La ‘Folgore’ di gesso: i calchi del monumento di Gaston de Foix
al Victoria and Albert Museum di Londra

Articolo

rivista	ARTE LOMBARDA
fascicolo	ARTE LOMBARDA - 2020 - 1
titolo	La ‘Folgore’ di gesso: i calchi del monumento di Gaston de Foix al Victoria and Albert Museum di Londra The plaster ‘Thunderbolt’: the casts of the monument of Gaston de Foix at the Victoria and Albert Museum in London
autore	Pierfabio Panazza
editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	12-2020
doi	10.26350/666112_000058
issn	0004-3443 (stampa)

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Descrizione
The use of reproductions in cheaper and easily malleable materials, such as clay and plaster casts, to facilitate the sculptor’s task is very ancient and the establishment of plaster cast galleries accompanied, especially during the nineteenth century, the birth of the major European museums. Among them, the Victoria and Albert Museum enjoys particular importance: his conspicuous collection of plaster casts also includes those derived in 1884 by Edoardo Pierotti from the marble funeral monument dedicated to Gaston de Foix, sculpted by Bambaia and today largely gathered at the Castello Sforzesco in Milan. In this article we try to better clarify the work of the well-known Milanese moulder, son of that Pietro Pierotti who already in 1860 provided Napoleon III the cast reproducing the Winged Victory of Brescia and who in 1872 formed those of the monument of Gaston, currently preserved partly in Brera and partly in the Museo del Castello Sforzesco in Milan. keywords Plaster casts; Bambaia; Pietro Pierotti; Edoardo Pierotti; Gaston de Foix; Victoria and Albert Museum. Biografia dell'autore Ateneo di Scienze Lettere e Arti di Brescia; ppierfa@gmail.com

Descrizione

The use of reproductions in cheaper and easily malleable materials, such as clay and plaster casts, to facilitate the sculptor’s task is very ancient and the establishment of plaster cast galleries accompanied, especially during the nineteenth century, the birth of the major European museums. Among them, the Victoria and Albert Museum enjoys particular importance: his conspicuous collection of plaster casts also includes those derived in 1884 by Edoardo Pierotti from the marble funeral monument dedicated to Gaston de Foix, sculpted by Bambaia and today largely gathered at the Castello Sforzesco in Milan. In this article we try to better clarify the work of the well-known Milanese moulder, son of that Pietro Pierotti who already in 1860 provided Napoleon III the cast reproducing the Winged Victory of Brescia and who in 1872 formed those of the monument of Gaston, currently preserved partly in Brera and partly in the Museo del Castello Sforzesco in Milan.