Un pittore fiorentino in Lombardia: Alberto Magnelli dalla Mostra di pittura moderna italiana (Como, 1936) ad Aspetti del primo astrattismo italiano 1930-1940 (Monza, 1969)
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Alberto Magnelli’s life was marked by a constant desire: to be recognised by the Italian cultural scene for his fundamental role in the history of non-figurative art in Italy and for his importance on an international level. Despite his status as a forerunner and his influence on the artistic movements of his time, Magnelli’s role was not well received in Italy. the extremes of the historical research are two exhibitions held in Lombardy: the Mostra di pittura moderna italiana in Como, 1936 and Aspetti del primo astrattismo italiano 1930-1940 in Monza, 1969 curated by Luciano Caramel. Alberto Magnelli’s role in the emergence of Abstractionism in Italy was not fully understood: in the numerous exhibitions during the years under study he has been presented either as a mere forerunner of an abstraction that was not yet mature, or as the protagonist of an artistic season outside the Italian borders, and therefore not recognised as a master in the formation of artistic culture in his homeland. the aim of this article is to trace both the most important exhibitions of Magnelli’s career in association with Italian and international exponents of Abstractionism and the dualism of interpretations of his art that were made until his death.
keywordsAlberto Magnelli; Como Group; Milan, Galleria Il Milione; Italian Abstraction; Alberto Sartoris; Luciano Caramel.Biografia dell'autoreUniversità Ca’ Foscari, Venezia; mariavittoria.mondini@gmail.com |
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