Nuovi materiali per la fortuna critica del Medioevo lombardo, intorno a Sebastiano Resta
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The article examines some episodes of artistic revival of the medieval Lombard art at the end of the 17th century in Milan, and focuses in particular on the Italian art dealer and connoisseur from Milan Sebastiano Resta (1635-1714), which introduces some problematic drawings. The figure of Resta is framed in the intellectual Milanese context who preceded him, above all Borromeo season, of which he assimilates the sensibility for the evidences of medieval Art. Taking inspiration from the Lives of Giorgio Vasari and his Libro de’ Disegni, Resta attempts to traces the progress of the history of Italian art from Cimabue and Giotto, holding together the development of the several regional schools, not least the Lombardy school. As proof of this assumption the paper presents a series of ancient drawings of the Lombardy area set up by Resta within its volumes of drawings, and a group of ancient sheets of dubious provenance, kept at the Biblioteca Ambrosiana in Milan, which were in the past referring to the figure of Resta.
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