Per l’individuazione di elementi teatrali negli affreschi secenteschi di Sant’Alessandro in Zebedia a Milano

novitàdigital Per l’individuazione di elementi teatrali negli affreschi secenteschi
di Sant’Alessandro in Zebedia a Milano

Articolo

Rivista

ARTE LOMBARDA

Fascicolo

ARTE LOMBARDA - 2022 - 2-3

Titolo

Per l’individuazione di elementi teatrali negli affreschi secenteschi di Sant’Alessandro in Zebedia a Milano

Theatrical elements in the 17th century frescoes of Sant’Alessandro in Zebedia in Milan

Autore

Giacomo Forastieri

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Online da

03-2023

Doi

10.26350/666112_000108

Issn

0004-3443 (stampa) | 2785-1117 (digitale)

€ 6,00

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Descrizione

The study investigates the link between the world of the of late seventeenth-century theatricality and the pictorial cycle realized between 1683 and 1699 in the church of Sant’Alessandro in Zebedia in Milan. A key figure in the understanding of the relationship between these two areas is the creator of the iconography of the paintings, the Barnabite father Demetrio Suppensi. Professor of rhetoric, theatre theorist and author of dramatic texts and ephemeral celebratory apparatuses, Suppensi was indeed capable to pour these aspects of his production in the definition of iconographic models for the decoration of the church.