La materia e l’opera di Bramante nella ‘Ritonda’ di Santa Maria presso San Satiro

Name: La materia e l’opera di Bramante nella ‘Ritonda’ di Santa Maria presso San Satiro
Brand: Vita e Pensiero
Price: 6.00 EUR
Availability: OnlineOnly

digital

Articolo

Rivista

ARTE LOMBARDA

Fascicolo

ARTE LOMBARDA - 2016 - 1-2

Titolo

La materia e l’opera di Bramante nella ‘Ritonda’ di Santa Maria presso San Satiro

Autori

Francesco Amendolagine, Federico Bulfone Gransinigh, Abdul Kader Moussalli

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Pagine

Online da

11-2016

Issn

0004-3443 (stampa) | 2785-1117 (digitale)

€ 6,00

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Descrizione

What matter has been tabled so that the rotunda of Santa Maria pressoSan Satiro would have been given to us? What techniques have been implemented so that we can decipher the treated terracotta stone? Which areas corresponds to the original and which is different due to replacements or restorations? From technical and chemical analysis on the pilasters the first order has emerged the particularities that lead to believe these decorations have not been carried out in the years 1483-85 and the historical documentation of the restorations has been analyzed for long, and this is where it showed a significant event. The Rotunda, since 2003, underwent conservative restorations and therefore thorough stratigraphic survey has been conducted. The hypothesis is that a mixed compound mainly of gypsum but also with the presence of lime was used that restorers have defined with a construction term as lime chalk. With the advancement of the studies, both from the technical aspect and the drawing aesthetics, the Sacristy stands as testimony to the start of plastic art adventure in the sixteenth century century. In this sense Bramante is at the forefront; also reveals a number of interconnections with the Veneto area.