Alcune osservazioni intorno a San Giovanni in Conca a Milano fra XIII e XIV secolo
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A new analysis of the urban area marked by the symbolic buildings of the Visconti power, in the occasion of the Mobartech project, made it necessary to resume the study of the disappeared church of San Giovanni in Conca in Milan. The hypotheses about the building’s architectural features in the thirteenth and fourteenth centuries, inaugurated by Romanini’s studies, although in many points still problematic, offer interesting elements for a reexamination of the fragmentary remains of various kinds – especially frescoes – saved from the two demolitions that took place between the 19th and 20th century, and give us new ideas for a reconsideration of the appearance of San Giovanni in Conca between the thirteenth century, a period in which it was already a reality well-rooted in urban’s tradition, and the second half of the following century, a moment characterized by the renovation carried on by the Visconti, in corresponding to what happened, in the same years, in the urban area around the church, next to which the residences of Bernabò Visconti and Regina Della Scala were built.
keywordsmedieval frescoes, church of San Giovanni in Conca, Visconti, Annunciation.Biografia dell'autoreUniversità Cattolica del Sacro Cuore, Milano; federicoriccobono1@gmail.com |
