Alcune osservazioni intorno a San Giovanni in Conca a Milano fra XIII e XIV secolo

digital

Articolo

rivista	ARTE LOMBARDA
fascicolo	ARTE LOMBARDA - 2019 - 2-3
titolo	Alcune osservazioni intorno a San Giovanni in Conca a Milano fra XIII e XIV secolo Some observations around San Giovanni in Conca in Milan between the 13th and 14th century
autore	Federico Riccobono
editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	07-2020
doi	10.26350/666112_000037
issn	0004-3443 (stampa)

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Descrizione
A new analysis of the urban area marked by the symbolic buildings of the Visconti power, in the occasion of the Mobartech project, made it necessary to resume the study of the disappeared church of San Giovanni in Conca in Milan. The hypotheses about the building’s architectural features in the thirteenth and fourteenth centuries, inaugurated by Romanini’s studies, although in many points still problematic, offer interesting elements for a reexamination of the fragmentary remains of various kinds – especially frescoes – saved from the two demolitions that took place between the 19th and 20th century, and give us new ideas for a reconsideration of the appearance of San Giovanni in Conca between the thirteenth century, a period in which it was already a reality well-rooted in urban’s tradition, and the second half of the following century, a moment characterized by the renovation carried on by the Visconti, in corresponding to what happened, in the same years, in the urban area around the church, next to which the residences of Bernabò Visconti and Regina Della Scala were built. keywords medieval frescoes, church of San Giovanni in Conca, Visconti, Annunciation. Biografia dell'autore Università Cattolica del Sacro Cuore, Milano; federicoriccobono1@gmail.com

Descrizione

A new analysis of the urban area marked by the symbolic buildings of the Visconti power, in the occasion of the Mobartech project, made it necessary to resume the study of the disappeared church of San Giovanni in Conca in Milan. The hypotheses about the building’s architectural features in the thirteenth and fourteenth centuries, inaugurated by Romanini’s studies, although in many points still problematic, offer interesting elements for a reexamination of the fragmentary remains of various kinds – especially frescoes – saved from the two demolitions that took place between the 19th and 20th century, and give us new ideas for a reconsideration of the appearance of San Giovanni in Conca between the thirteenth century, a period in which it was already a reality well-rooted in urban’s tradition, and the second half of the following century, a moment characterized by the renovation carried on by the Visconti, in corresponding to what happened, in the same years, in the urban area around the church, next to which the residences of Bernabò Visconti and Regina Della Scala were built.