Adolfo Venturi tra collezionismo e ricerca: un caso milanese
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Adolfo Venturi between collecting and scientific research: a milanese case EUGENIA BIANCHI The previously unpublished documentation found among the possessions of the heirs of a private collector gives a chance to analyze Adolfo Venturi’s position towards the international antique market and private collecting. During the considered period – the early decades of the 20th Century – artworks from discontinued institutions or dispersed collections formerly owned by the declining European aristocracy were involved in an intense movement towards America. The presence, among the found materials, of expert surveys signed by Venturi, each subsequently published on the periodical L’Arte and the more official Storia dell’arte italiana, generates further consideration on the relationship between the market, scientific research and criticism.
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