Adolfo Venturi tra collezionismo e ricerca: un caso milanese
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Adolfo Venturi between collecting and scientific research:
a milanese case
EUGENIA BIANCHI
The previously unpublished documentation found among the
possessions of the heirs of a private collector gives a chance to
analyze Adolfo Venturi’s position towards the international antique
market and private collecting. During the considered period – the early
decades of the 20th Century – artworks from discontinued institutions
or dispersed collections formerly owned by the declining European
aristocracy were involved in an intense movement towards America.
The presence, among the found materials, of expert surveys signed by
Venturi, each subsequently published on the periodical L’Arte and the
more official Storia dell’arte italiana, generates further consideration
on the relationship between the market, scientific research and
criticism.
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