Volumi a stampa e carte personali per lo studio dell’architettura a Brescia. L’esempio di Rodolfo Vantini (1792-1856), con un affondo sugli appunti de I quattro libri di Palladio

Name: Volumi a stampa e carte personali per lo studio dell’architettura a Brescia. L’esempio di Rodolfo Vantini (1792-1856), con un affondo sugli appunti de I quattro libri di Palladio
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Volumi a stampa e carte personali per lo studio dell’architettura a Brescia.
L’esempio di Rodolfo Vantini (1792-1856), con un affondo sugli appunti
de I quattro libri di Palladio

Articolo

Rivista

ARTE LOMBARDA

Fascicolo

ARTE LOMBARDA - 2017 - 1-2

Titolo

Volumi a stampa e carte personali per lo studio dell’architettura a Brescia. L’esempio di Rodolfo Vantini (1792-1856), con un affondo sugli appunti de I quattro libri di Palladio

Autore

Elisa Sala

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Pagine

Online da

11-2017

Issn

0004-3443 (stampa) | 2785-1117 (digitale)

€ 6,00

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Descrizione

The note as an instrument to fix learning caught from the primary knowledge source. Rodolfo Vantini, architect and engineer from Brescia, completes his studies at Pavia University in the early XIX century. Returning to his hometown, Vantini initiates an extensive study on architectural subjects; he analyses the best-known architectural treaties and volumes, most of which are present in his private library. Books are analysed by creating syntheses and graphic diagrams useful to understand architectural matters, but these notes are also composed to be consulted later in partial or complete replacement of volumes. The study performed on Andrea Palladio treaty, I quattro libri dell’architettura, is hear punctually investigated as an example of this working method. The paper intends to investigate the following aspects: main personal and professional reasons behind the study process; the impact of the learning method on Vantini professional activity; the criteria adopted for selecting volumes. These reflections best outline one of the most important figures of Brescia Neoclassicism.