Materiali per il catalogo di un patrimonio perduto: le facciate dipinte nella Milano del primo Rinascimento
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This essay provides an overview of painted façades in Renaissance Milan, a preliminary step towards the creation of their catalogue. In addition to discussing previously known documents concerning the practice of painted palaces’ fronts, important new sources and unpublished drawings by nineteenth-century architect Tito Vespasiano Paravicini documenting the existence of other buildings are introduced. The creation of painted façades, especially those dating from the construction and decoration campaign of 1493-1494 promoted by Ludovico Sforza, is furthermore contextualized in their social and cultural framework through an analysis of the identity of the painters and patrons involved, and a consideration of what imagery they adopted and why.
keywordspainted façades, Lombard Renaissance, Milan, Tito Vespasiano Paravicini, Bramantino, Troso da Monza, Visconti, Sforza.Biografia dell'autoreScuola Universitaria Professionale della Svizzera Italiana (SUPSI); edoardo.rossetti@supsi.ch; edoardo.rossetti@unicatt.it |