Sergio Rebora

Like other great Italian sculptors of his time, Eugenio Pellini (1864-1934) devoted an important part of his artistic activity to funerary art. Although it was well known, this production had not been the subject of a philological study as carried out in this text through in-depth research of bibliographic and documentary sources, starting with the rich and almost unpublished materials preserved at the artist’s studio in Milan, including photographs...