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Vita e Pensiero

Materiali inorganici della Pace di Chiavenna: oro e smalti digital
formato: Articolo | ARTE LOMBARDA - 2019 - 1
Anno: 2019
The scientific analyses carried out on the so-called Pace di Chiavenna are focused on the study of the inorganic materials used in the metal plates, in the enamels and in the stones.
€ 6,00
La gemmatura nella Pace di Chiavenna. Considerazioni gemmologiche. Indagini archeometriche non invasive digital
formato: Articolo | ARTE LOMBARDA - 2019 - 1
Anno: 2019
The gemstone patrimony of the Pace di Chiavenna is outstanding, being composed of 190 items grouped into 18 plates.
€ 6,00
Un capolavoro in disparte. Sulle tracce della committenza della Pace di Chiavenna e delle sue vicende conservative digital
formato: Articolo | ARTE LOMBARDA - 2019 - 1
Anno: 2019
The essay which concludes the proceedings of the study day dedicated to the Pace di Chiavenna retraces in the first part the critical itinerary which has developed around the precious object from the moment of its rediscovery during of the 1899 ‘Esposizione Voltiana’, giving a systematic survey of the opinions and the comparisons proposed by different scholars.
€ 6,00
ARTE LOMBARDA - 2018 - 1-2 digital
formato: Fascicolo digitale
Anno: 2018
Primo fascicolo doppio del 2018
Prayers and Protection: The Tower at Torba Reconsidered digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
This article attempts to introduce a reconsideration regarding the murals at the tower at Torba. Firstly, it focus on its relatively scarce historiography, which can be explained by referring to the tower’s arduous history and its position within the context of the castrum’s rediscovery...
€ 6,00
Fra Damiano Zambelli intarsiatore a Bergamo: «Li banchi de tarsia» per i domenicani di Santo Stefano digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
The marquetries that can be seen in the 17th century choir stalls of the church of San Bartolomeo in Bergamo date back to the beginning of sixteenth century and were made by the Dominican inlayer fra Damiano Zambelli. Originally they were installed in «banchi» (benches) commissioned by the nobleman Alessandro Martinengo Colleoni to decorate his own funerary chapel in the ancient Dominican church of Santo Stefano...
€ 6,00
Gli affreschi di palazzo Vertemate Franchi a Piuro digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
Important pictorial works of art highlight one of the most important buildings of the Lombard Renaissance, the sixteenth century Palazzo Vertemate Franchi in Piuro (Sondrio). This article opens with a synthetic yet at the same time careful reconstruction of the historical and cultural background to which the building belongs...
€ 6,00
La collezione Segrè, primo nucleo dei Musei Civici di Monza: appunti lombardi digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
In 1923, with a testamentary legacy Eva Galbesi widow Segrè donated to the city of Monza the motley collection that she began with her husband, the lawyer Samuele Segrè. This article examines the various events concerning the numerous transfers of the artistic ensemble until the recent reopening to the visitors of the Civic Museums that concern only a selection of our paintings. This paper shall consider even some particularly significant works giving them new collocation and assignment...
€ 6,00
Un’aggiunta al catalogo di Francesco Monti digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
This essay aims to bring into focus an important add to the catalog of Francesco Monti (1685-1768), one of the protagonists of the late Baroque in the north of Italy, born in Bologna and subsequently active in Lombardy...
€ 6,00
Giuseppe Bossi e la glittica digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
This study analyzes many aspects of Giuseppe Bossi’s attitude and interest towards the gems, in the broader Lombard glyptic context, and virtually reassembles his consistent and very varied collection of gems, ancient and modern, totally dispersed...
€ 6,00
Innocenzo Fraccaroli e la figura femminile come allegoria politica. Documenti provenienti dall’Archivio Felicina Fraccaroli Bonizzoli digital
formato: Articolo | ARTE LOMBARDA - 2018 - 1-2
Anno: 2018
Innocenzo Fraccaroli (1805-1882) was an excellent artist, who alternated periods of fame and success, related to his masterpiece Wounded Achilles to moments of disillusion and difficulties. The research focus aims primary at understanding how, but mostly why, such a prominent artist, and in general all the 19th century sculpture, has been almost completely forgotten and suffered a general lack of respect. Only from the 80s we have assisted to a re-evaluation of such an important chapter of Italian art...
€ 6,00

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