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Vita e Pensiero

Ricerche genealogiche e indagini storico-artistiche intorno a una famiglia di pittori milanesi del XVII secolo: i Vicenzini digital
formato: Articolo | ARTE LOMBARDA - 2015 - 3
Anno: 2015
This essay is the natural continuation of the one published in «Arte Lombarda», 170-171 (2014/1-2) and dedicated to the Burgundian artist Vincenzo Volò, who moved to Milan during the fifth decade of the XVII century and who was the founder of the school of the Vicenzinis, a family-led workshop specialized in still-life paintings. Researches, which were carried out in civil and religious archives in Milan and Bologna from 2012 to 2014, brought a significant variety of unpublished documents to light...
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Carlo Innocenzo Carloni a Brescia: novità per i cicli pittorici dei palazzi Martinengo di Padernello, Gaifami e Valotti Rampinelli Rota digital
formato: Articolo | ARTE LOMBARDA - 2015 - 3
Anno: 2015
The stay of Carlo Innocenzo Carloni (Scaria d’Intelvi, 1686 or 1687 - 1775) in Brescia, already known through the literary sources of eighteen century, has still be proven from cycles of profane frescoes in this city. Thanks to the comparison with the Notta delli Sbozzi, the original document in which the painter makes a list of his sketches, is possible to verify links with frescoes still existing or destroyed by now...
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Proposte negli anni venti per un’architettura fascista: il primo Centro Federale di Milano; la sede di un Gruppo Rionale; una Casa per Balilla digital
formato: Articolo | ARTE LOMBARDA - 2015 - 3
Anno: 2015
As soon as the Fascists came to power they promoted a reorganisation of the state, which included some significant building works. Important among these were the headquarters for Gruppi Rionali (Fascist neighbourhood groups) in built-up areas, with meeting places and offices for organising the political life and welfare of the population. These centres initially had makeshift quarters but it was soon necessary to have special buildings to replace the Socialist ‘Case del Popolo’, the headquarters of the Catholic associations and, during the war, the ‘Case del Soldato’, which had sprung up in their hundreds since the turn of the century...
€ 6,00
Jacopo Alessandro Calvi «dipintore e poeta». Nuove congiunzioni fra Bologna e Bergamo nel segno di san Girolamo Miani digital
formato: Articolo | ARTE LOMBARDA - 2015 - 3
Anno: 2015
The paper investigates the Bolognese painter Jacopo Calvi, called Sordino (Bologna, 1740 - 1815), focusing on his works in Bergamo during the last quarter of the eighteenth century. Thanks to new documentary evidence, a lost artwork by Sordino is here attributed and analyzed within the cultural environment of the painter...
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Scambio delle tecniche e citazioni da Francesco Londonio nei disegni di Pietro Giacomo Palmieri digital
formato: Articolo | ARTE LOMBARDA - 2015 - 3
Anno: 2015
The collections of Museo Civico d’Arte Antica in Palazzo Madama include four sheets drawn in Turin in 1793 by the Bolognese artist Pietro Giacomo Palmieri during the last period of his career. Those drawings are a sophisticated collage of figures copied from Francesco Londonio’s etchings and evoke the effects of watercolor prints. Palmieri’s taste for emulation of printmaking technique and for pastoral subjects goes back to the time of his early artistic formation in Bologna...
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La parrocchiale di Vaiano Cremasco: testimonianze di cultura milanese e lombarda dal 1660 alla metà del Settecento digital
formato: Articolo | ARTE LOMBARDA - 2015 - 3
Anno: 2015
The events of the parish church of Vaiano Cremasco, from the late sixteenth to the late eighteenth century are considered, with particular attention to unpublished or little known facts from the literature. After a period where some interventions in the old building are made (in the sixteenth century, the altarpiece for the altar of the Madonna and the realization of some of the angels, gilded by Aurelio Buso; in the mid of the seventeenth century, the altarpiece of the Madonna del Rosario, by Giovanni Battista Botticchio and the Mysteries of the Rosary performed by a Procaccini painter), some important works for the reconstruction of the church are started. The new building was begun in 1660 by the architect «Carlo Lucin Ferrandi» (as it is named in the parish records), who can be identified with the Milanese Carlo Ferrando Lucino. The construction ends only in the early eighteenth century, when the indoor liturgical structure is completed...
€ 6,00
ARTE LOMBARDA - 2015 - 1-2 digital
formato: Fascicolo digitale
Anno: 2015
Primo fascicolo doppio del 2015
On the origins of the Monza collection of Holy Land ampullae: the legend of Gregory the Great’s gift of relics to Theodelinda reconsidered digital
formato: Articolo | ARTE LOMBARDA - 2015 - 1-2
Anno: 2015
The paper is dedicated to the collection of ampullae preserved in the treasury of the basilica in Monza and endeavors to shed light on the circumstances surrounding their donation. Traditionally, it is held that these little reliquaries containing sacred oils from Jerusalem were a gift of pope Gregory the Great sent to the Lombard queen Theodelinda on occasion of the Catholic baptism of her son, in 603. As heir of the throne, his baptism was important as it effectively assured the conversion of the previously Arian Lombards to Catholicism...
€ 6,00
Architettura cistercense in Italia settentrionale: Santa Maria di Abbadia Cerreto digital
formato: Articolo | ARTE LOMBARDA - 2015 - 1-2
Anno: 2015
Cerreto Lodigiano Abbey, both founded and built during the second half of Twelveth century, reppresents an example of huge outstanding interest in the history of studies about Cistercian architecture. Even though its good conservation, the Abbey isn’t still properly considerated by the official and specialized Storiography...
€ 6,00
L’adorazione del Bambino, secondo Bartolomeo Suardi digital
formato: Articolo | ARTE LOMBARDA - 2015 - 1-2
Anno: 2015
The Pinacoteca Ambrosiana’s Adoration of the Christ Child painted by the young Bartolomeo Suardi, later called Bramantino, includes two figures –a classically dressed man in the background on the left, and a woman standing in the foreground at the opposite corner – whose identity is controversial...
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Un Vitruvio postillato alla Biblioteca Comunale Teresiana di Mantova digital
formato: Articolo | ARTE LOMBARDA - 2015 - 1-2
Anno: 2015
This article analyses an edition of Vitruvius’ De architectura (Florence, 1513) conservated in Biblioteca Comunale Teresiana in Mantua (LXVI.F.21). There are brief and sporadic comments on the margins of the text as well as several drawings...
€ 6,00
«Perpetuum mobile»: Comanini e Arcimboldi dal Figino alla Mistica Theologia digital
formato: Articolo | ARTE LOMBARDA - 2015 - 1-2
Anno: 2015
This essay aims at reconsidering the figure of Gregorio Comanini through an analysis of the treatise dedicated to Ambrogio Figino (1591) and a short incursion into the Mistica Theologia (1590). The critical reading of Comanini’s works is carried out relating their complete examination to the compositive logics adopted in painting by Giuseppe Arcimboldi, to some aspects of Torquato Tasso’s poetics (with a focus on the Dialoghi) and to art theory texts extracted from authors such as Lomazzo (1584, 1590) and Armenini (1586)...
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