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Vita e Pensiero

«Forteza» e «legiereza». Alcune osservazioni sulle esperienze costruttive milanesi di Donato Bramante digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
The article focuses on bodies crowned by masonry domes with the intention to better understand the constructive experiences gathered by Bramante during his stay in Milan. First, the search for Leonardo da Vinci of «il disiderio de la forza» and his interest in the San Lorenzo at Milan is discussed. Subsequently the Bramante’s project for the sacristy of Santa Maria at San Satiro, the lantern for the Duomo and the tribuna for Santa Maria delle Grazie are examined...
€ 6,00
Gli elementi provenienti dall’Italia settentrionale nell’architettura di Bramante a Roma digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
Vasari makes out that Bramante’s pioneering architecture was determined by the encounter with antiquity in Rome, and buildings such as the Tempietto and St. Peter seem to confirm this view at first glance. This essay examines the extent to which the Roman antiquities really shaped the buildings that Bramante created in Rome, or vice versa, how strongly is their connection with Bramante’s past experiences in Northern Italy. It is soberly considered, with which cultural circles the essential elements of the Roman works of Bramante can be concretely combined...
€ 6,00
Alle origini dell’inventio bramantesca per il nuovo San Pietro di Roma: incontri nella Milano del tardo Quattrocento digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
As an alternative to permanent setting critical that the design of the New St. Peter’s in Rome would be the outcome of a ‘turning point’ in the architectural conceptions of Bramante, motivated by the direct knowledge of the most significant Roman antiquities, attention is being paid to the previous period biography of Donato...
€ 6,00
Elementi bramanteschi nell’architettura e nella cultura figurativa del Piemonte ‘lombardo’ tra la fine del Quattrocento e l’inizio del Cinquecento digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
Among the 15th and the 16th century the Piedmont of today didn’t constitute a homogeneous territory both the political viewpoint and the cultural viewpoint: the advent of the modern architectural culture was born in different times into distinct areas and today architectures aren’t understanded. Historians generally have attributed many buildings to Bramante or generically to Bramante’s culture, but they have been rarely compared with the Bramante’s works...
€ 6,00
Bramante e la ‘rocchetta’ di porta Maggiore a Bologna digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
In 1512, after having chased the Bentivoglio from Bologna, Pope Julius II decided not only to rebuild the destroyed fortress of Porta Galliera, which however never ended up to be built, but also to create a new military post at Porta Maggiore, to defend the road to Romagna...
€ 6,00
Columnæ monstruosæ: fortuna dell’incisione Prevedari, dalla Liguria alla Spagna digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
The Prevedari engraving (1481) supports the knowledge of Bramantesque architectures in all territories of ancient Republic of Genoa (Riviere di Ponente e di Levante, Oltregiogo, Corsica) and of neighboring Imperial Fiefs (Finale), even if in a secondary display at first glance. The «monstrous columns» give a meaningful example of this historical process, from 1483 to the beginnings of XVII century...
€ 6,00
L’esperienza lombarda di Bramante e la diffusione dell’architettura rinascimentale in Spagna digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
We can recognize, through the Spanish religious architecture analysis, a relationship between the Lombard work of Bramante and the contemporary Hispanic experiments with the introduction of the artistic and architectural elements of the Renaissance. The first church in Spain which show shapes inspired by the Italian Renaissance art is the Franciscan convent of San Antonio de Mondejar in Tendilla (1487-1509); however, in it the similarities are only the decorative elements...
€ 6,00
L’architettura del Rinascimento lombardo nella pittura fiamminga del Cinquecento digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
At the beginning of the sixteenth century, when the Low Countries open up to the Italian Renaissance culture, it is the artistic language of the Lombardy that they adopt in first, especially regarding the architecture. Thanks to the French that bring over of the alpine borders the picturesque Lombard style of the fifteenth century discovered during the Italian wars, the monuments of Flanders gradually dressed their gothic structure by ancient ornaments arranged according to the codes of the Northern Italians...
€ 6,00
Bramante milanese: collisioni di culture architettoniche? digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
The author suggests that the chief influence on Bramante’s Milanese architecture was not neccessarily Brunelleschi, but what he had learned at Mantua and from Francesco di Giorgio at Urbino particularly, but also, perhaps, from a knowledge of architecture in Verona and Padua. Bramante had no prefixed vocabulary before coming to Milan and had not built anything and so used, according to circumstances, a series of heterogeneous architectural motifs that he had noted in his travels before arriving in Lombardy...
€ 6,00
Bramante e la luce digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
The essay discusses the use of light in Bramante’s buildings in his Milanese and Roman periods. The author demonstrates the importance of the Basilica at Loreto and the Duomo in Milan in the early stages of Bramante’s career, and also illustrates the influence of Brunelleschi...
€ 6,00
Bramante e le scale: dalla chiocciola della sagrestia di Santa Maria presso San Satiro a quella del Paradiso digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
Early on in his architectural activity in Milan, in about 1480, Bramante had already made a significant contribution to the development of the spiral staircase, as shown by the small (unpublished) spiral staircase in the sacristy of Santa Maria presso San Satiro. This staircase shows the influence of staircases in the Torricini (small towers) of the Ducal Palace at Urbino. Very important as well is the drawing of a spiral staircase for Vigevano, probably a copy of Bramante’s drawing, which anticipates the masterpiece of the Chiocciola in the Belvedere courtyard in the Vatican...
€ 6,00
Le vie dell’antico sono infinite? Appunti sulle fonti archeologiche negli elementi decorativi di Santa Maria presso San Satiro a Milano digital
formato: Articolo | ARTE LOMBARDA - 2016 - 1-2
Anno: 2016
The church and the sacristy of Santa Maria presso San Satiro offer a wide range of ornamental elements of great interest, especially the pilaster capitals, the result of a complex process of design and interpretation by the artists involved in their preparation using a series of ancient models. Many of the decorative and figurative subjects present here were very wide-spread in Lombardy, but what is their ultimate origin from an archaeological point of view?
€ 6,00

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