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Filippo Abbiati, tra questioni private e committenze: novità dai documenti

digital Filippo Abbiati, tra questioni private e committenze: novità dai documenti
Articolo
rivista ARTE LOMBARDA
fascicolo ARTE LOMBARDA - 2017 - 1-2
titolo Filippo Abbiati, tra questioni private e committenze: novità dai documenti
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 11-2017
issn 0004-3443 (stampa)
€ 6,00

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This essay presents some of the news concerning the biography and the first activity of Filippo Abbiati, emerged on the occasion of the studies started recently for the painter’s monography, soon to be published, edited by the writer and Filippo Maria Ferro. More in detail some unknown information on his family are illustrated. In the paper there are also new information on the stay in Venice of the artist, where he arrived probably in 1667, after his dismissal by Karl von Liechtenstein Kastelkorn, client at Kromeríž from 1665 for the set up of his personal gallery. In Venice he collaborated with private clients, of whom results identified the glassmaker Andrea Trevisan, who committed to the artist the painting made for the Scuola di San Giovanni dei Battuti at Murano. Lastly in the essay it is underlined the preferential relation of the artist with the Cistercian order, of which it is a recent meaningful acquisition the painting with the Martirio di Sant’Andrea realized probably in the second part of 1686 for Lucedio Abbey, from direct interesting of the Father Pompeo Castiglioni.

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