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Rapporti tra l’Accademia di Belle Arti di Parma e l’Accademia di Brera nella prima metà dell’Ottocento

digital Rapporti tra l’Accademia di Belle Arti di Parma
e l’Accademia di Brera nella prima metà dell’Ottocento
Articolo
rivista ARTE LOMBARDA
fascicolo ARTE LOMBARDA - 2017 - 1-2
titolo Rapporti tra l’Accademia di Belle Arti di Parma e l’Accademia di Brera nella prima metà dell’Ottocento
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 11-2017
issn 0004-3443 (stampa)
€ 6,00

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Between the 18th and 19th centuries the constant relations between the Academies of Parma and Milan determine a reciprocal exchange of experiences and models that shapes the culture of the two towns. The contacts between the two institutes are particularly intense between 1820 and 1850, when the Academy of Parma is headed by the engraver Paolo Toschi, who is linked by long-lasting friendship with Milanese artists such as Giuseppe Molteni, Francesco Hayez, Massimo d’Azeglio and Giuseppe Longhi. Frequent exchanges between the two Academies occur at the level of academic teaching and competitions and on the occasion of Brera’s famous exhibitions. Various Lombard painters (Abbondio Bagutti, Luigi Tagliani, Napoleone Mellini, Demostene Macciò, Amanzio Cattaneo) receive prizes at the Academy of Parma, while few artists from Parma stand out in Brera’s prestigious competitions (painter Giovanni Tebaldi, architect Ermogene Tarchioni, engraver Antonio Costa) and exhibitions (painters Giuseppe Boccaccio and Francesco Scaramuzza, sculptor Tommaso Bandini).

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