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Massimo Bernabò

Libri dell'autore

Bisanzio negli anni trenta del Novecento: il palazzo di Giustizia di Milano digital
formato: Articolo | ARTE LOMBARDA - 2017 - 1-2
Anno: 2017
Twentieth-century European avant-garde looked upon Byzantine art for inspiration, as they refused the neo-classic academic painting. Instead, Italian artists grew a deep aversion against Byzantium, as it appeared as the decadent civilization opposite to the classical Rome. All the same, the Fascist regime considered the Rome as its model. After Fascism had received a worldwide legitimation in the 1930s, such an attitude changed radically...
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